New York Film Locations



Fear City (1984)

Last Updated: July 2011

In New York City, a psycho killer is stalking and randomly slashing and killing strippers working in various nightclubs. Matt Rossi (Tom Berenger) is a former boxer trying to escape his past whom is currently employed at a talent agency which caters exotic dancers to the mafia-controlled strip clubs all over Manhattan. Matt and his business partner, Nicky, are relentlessly dogged by Al Wheeler (Billy Dee Williams), a persistent police detective on the case of the murdered strippers, and hoping to find something to nail both Matt and Nicky on. Matt is trying to reconcile with his former flame, Loretta (Melanie Griffith), whom also works as a dancer and has a off-again, on-again drug problem. With the police constantly hounding them, and under pressure from his mob boss and other bosses to do something, Matt must somehow face his inner demons to find the killer before he strikes again.


Times Square (Broadway, 7th Avenue, West 42nd and 47th Streets) Manhattan.
 

Times Square 1950 - 1990

The general atmosphere changed with the onset of the Great Depression in the 1930s. Times Square acquired a reputation as a dangerous neighbourhood in the following decades. From the 1960s to the early 1990s, the seediness of the area, especially due its go-go bars, sex shops, and adult theaters, became an infamous symbol of the city's decline.

In the 1980s, a commercial building boom began in the western parts of the Midtown as part of a long-term development plan developed under Mayor Ed Koch and David Dinkins. In the mid-1990s, Mayor Rudolph Giuliani (1994–2002) led an effort to "clean up" the area, increasing security, closing pornographic theaters, pressuring drug dealers and "squeegee men" to relocate, and opening more tourist-friendly attractions and upscale establishments. Advocates of the remodeling claim that the neighborhood is safer and cleaner. Detractors have countered that the changes have homogenized or "Disneyfied" the character of Times Square and have unfairly targeted lower-income New Yorkers from nearby neighborhoods such as Hell's Kitchen.

In 1990, the state of New York took possession of six of the nine historic theatres on 42nd Street, and the New 42nd Street non-profit organization was appointed to oversee their restoration and maintenance. The theatres underwent renovation for Broadway shows, conversion for commercial purposes, or demolition.

 



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